Song of Solomon 6
The full text of Song of Solomon 6 in the Trinity Bible Version — clear modern English, translated from the original Hebrew. Free to read.
1 [Friends] Where has your beloved gone,
O fairest among women?
Where has your beloved turned,
that we may seek him with you?
2 [She] My beloved has gone down to his garden,
to the beds of spices,
to graze in the gardens
and to gather lilies.
3 I am my beloved's and my beloved is mine;
he grazes among the lilies.
4 [He] You are beautiful as Tirzah, my darling,
lovely as Jerusalem,
awesome as an army with banners.
5 Turn your eyes away from me,
for they overwhelm me.
Your hair is like a flock of goats
leaping down the slopes of Gilead.
6 Your teeth are like a flock of ewes
that have come up from the washing;
all of them bear twins;
not one among them has lost its young.
7 Your cheeks are like halves of a pomegranate
behind your veil.
8 There are sixty queens and eighty concubines,
and virgins without number.
9 My dove, my perfect one, is the only one,
the only one of her mother,
pure to her who bore her.
The young women saw her and called her blessed;
the queens and concubines also, and they praised her.
10 [Friends] Who is this who looks down like the dawn,
beautiful as the moon,
bright as the sun,
awesome as an army with banners?
11 [She] I went down to the nut orchard
to look at the blossoms of the valley,
to see whether the vines had budded,
whether the pomegranates were in bloom.
12 Before I was aware, my desire set me
among the chariots of my kinsman, a prince.
13 [Friends] Return, return, O Shulamite!
Return, return, that we may gaze at you.
[He] Why would you gaze at the Shulamite,
as at a dance before two armies?
Translation notes (4)
- Song of Solomon 6:4a Tirzah (Hebrew tirtsah, from a root meaning 'to be pleasing') was the capital of the northern kingdom of Israel before Omri built Samaria (1 Kings 15:33; 16:23-24). Its pairing with Jerusalem sets the royal cities of both kingdoms side by side as standards of beauty, which may suggest the poem's composition before Tirzah's eclipse in the ninth century.
- Song of Solomon 6:8a The ascending sequence — sixty, eighty, beyond counting — is a rhetorical device magnifying the royal court so that the beloved's uniqueness in the next verse stands out. The figures are smaller than the seven hundred wives and three hundred concubines attributed to Solomon in 1 Kings 11:3, suggesting a poetic rather than a census-like count.
- Song of Solomon 6:12a This verse is widely regarded as the most obscure in the book. The Hebrew ammi-nadiv may be read as a proper name, Amminadib, as in the King James tradition, or as two common words, ammi, 'my people' or 'my kinsman', and nadiv, 'noble' or 'prince'. The rendering here takes the latter course; certainty is not possible.
- Song of Solomon 6:13a Shulamite (Hebrew shulammit) may be a feminine counterpart of the name Solomon, a gentilic from the town Shunem, or a form built on shalom, 'peace'. The phrase rendered 'a dance before two armies' is mecholat hammachanayim, literally 'the dance of the two camps'; since Mahanaim is also a place name (Genesis 32:2), some understand it as 'the dance of Mahanaim'.
About this translation
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